MARK WILENKIN
Mark Wilenkin
Colorist | Workflow Innovator | Creative Collaborator
“Mark Wilenkin—he’s a color genius” Sean Bobbitt, BSC
With a natural artistic sensibility and a passion for visual storytelling, Mark Wilenkin seamlessly bridges creativity and technology through client-focused collaboration. A pioneer in data-centric workflows, he specializes in streamlining color and post-production pipelines, ensuring flawless execution from concept to final delivery.
Notable Clients & Collaborations
Apple • Microsoft • BMW • Coca-Cola • The Annenberg Space for Photography • BBC Worldwide • Saatchi & Saatchi • Cinematographers Paul A. Cameron ASC, Roberto Schaefer ASC, Guillermo Navarro ASC, Sean Francis Bobbitt BSC, Tobias Sempi AIC, Ramsey Nickell, Jared Fadel, Bianca Cline, and Khalid Mohtaseb.
A Global Creative Journey
Born in Paris, Mark’s early exposure to the city’s artistic heritage ignited a lifelong fascination with color and imagery. Educated in the UK and Scotland, he began his career at London’s RSA and Black Dog Films, where he transitioned from runner to post-production editor—a role that honed his technical expertise and creative vision.
Entrepreneurship & Innovation
After freelancing for industry leaders like British Telecom and the World Wildlife Fund, Mark founded Wilenkin Productions Ltd. in 2002, delivering high-impact work for a prestigious roster of clients, including BBC Worldwide, Saatchi & Saatchi, and Rough Trade Records. During this time, Mark engineered a mobile Media100 online editing system, which he brought to Nyon, Switzerland, to train the production team at the World Wildlife Fund on using it for field editing—a testament to his technical innovation and commitment to empowering teams.
In 2005, he shifted his focus to digital intermediate (DI) workflows, becoming an early adopter of RED Digital Cinema technology. Relocating to France, he developed a cutting-edge mobile Scratch Finishing system, solving complex color pipeline challenges for studios across Europe.
Leadership in Global Post-Production
In 2009, Mark joined Kuala Lumpur’s Cinered as Senior Colorist and later became CTO. His exceptional work and innovative contributions as a colorist led to discussions about rebranding, ultimately resulting in the transition to Cineray Asia and the expansion of operations in Jakarta and Guangzhou—markets where the company was already established. Mark’s technical expertise and creative vision significantly elevated the company’s reputation for excellence in post-production. The company was later sold shortly after Mark’s departure from the group.
Collaborating with Visionaries
Mark’s partnership with Paul A. Cameron, ASC began in 2012 with Citi’s bicentennial campaign, where he pioneered on-set “advanced dailies color grading.” His work earned him a role as on-set colorist for the project’s final leg. Together, they presented their innovative workflow at Camerimage International Film Festival and the ASC Breakfast Club, solidifying Mark’s reputation as a leader in the field.
Mark’s expertise has also been recognized by Sean Bobbitt, BSC, the Oscar-nominated cinematographer for Judas and the Black Messiah. In an interview with the American Society of Cinematographers, Sean praised Mark’s innovative workflow and talent:
“It was an amazing thing, and that was the workflow that we used. The DIT who I was working with, Mark Wilenkin—he’s a color genius to start with, but he’s also developed this amazing workflow whereby he’s done the rushes by half an hour after wrap. And it’s all done. It’s just amazing.
I don’t know the exact details. He’s put together this whole system. In his downtime, he’s also a full-time colorist as well as working as a DIT, and it just kind of changed everything. ‘Cos before I went home every night, I would sit down with him for 10 minutes, and we would go through each shot, and he would do a grade.”
Watch the full interview here: [01:05:48:00]
Current Work & Future Projects
Mark, now based in the U.S., is an IATSE Local 600 member who specializes as a DIT (Digital Imaging Technician) and final colorist for high-profile commercials and feature films. His portfolio continues to grow, fueled by a dedication to pushing technical boundaries and exploring innovative approaches to visual storytelling. Mark has produced 360° content for Volume production and is in partnership with 1111 Studios, showcasing his versatility and forward-thinking mindset.
In addition to his technical expertise, Mark is actively developing film and episodic projects with his business partner, Simon Kassianides, further solidifying his role as a creative collaborator in the industry. His most recent production work includes the feature film Mercy, currently in post-production. The film stars Chris Pratt and Rebecca Ferguson, is directed by Timur Bekmambetov, and features Khalid Mohtaseb as the director of photography. This project highlights Mark’s continued involvement in cutting-edge, high-profile productions, underscoring his reputation as a skilled and innovative professional in the field.
Explore Mark’s Work
Discover Mark’s extensive portfolio of high-profile commercials, feature films, and large-scale productions on IMDb:
